By Dr. Richard Pankhurst
The largest, noblest, and perhaps historically most interesting, of
the Lalibala churches is that of MadhaneAlam, or Saviour of the World.
Some scholars believe it may actually have been modelled on the old
Church of St Mary of Seyon at Aksum, which was then extant.
Madhane Alam
Madhane Alam, which is no less than 33.5 metres long, 23.5 metres
wide, and 11 metres high, is unusual in having an external colonnade of
pillars on all four sides. These columns extend from its main plinth to
its gabled roof which they support. Like the old St Mary of Seyon, the
church has a nave and four isles, and four rows of seven pillars, each
carved from the single block of stone which forms
the church. These
pillars rise straight from the stone floor, without any bases, and are
surmounted by stone brackets to support the continuous barrel vault of
the nave and the lateral and traverse semi-circular arches of the
aisles.
The principal door is in the centre of the west front. There are also
doors on the north and south sides. The doors have semi-circular arches
supported by brackets. There are two rows of windows. The upper, which
are decorated with diaper patterns, have round arches supported by
brackets. The lower windows on the other hand are rectangular, and
filled with panels of pierced stone ornamented with a central cross. The
beauty of the interior lies in the gracious lines of its many columns
and arches. These are often fitfully illuminated by rays of light, which
glance upon them through the arched doors and interstices of the
pierced stonework.
Amanu’el
Also of special interest at Lalibala is the church of Amanu’el, a
structure of almost perfect workmanship, which harks back to Yemrahana
Krestos. The walls thus project and recess alternately, and, though cut
from a single block of stone, are carved to make them appear as if made
of horizontal bands of timber and stone. Some of the windows are cut in
the same shape as the decorative device on the top of the principal
Aksum obelisks, while others have arches supported by brackets
resembling those of Madhane Alam. The interior has five bays.
Rectangular columns separate nave and isles. There is a dome over the
sanctuary, a barrel vault over the nave, and a beautifully carved
frieze. A spiral staircase leads to the upper gallery with several small
chambers.
Maryam
The church of Maryam differs from the other Lalibala churches in
having three exterior porches built out from the main structure. Above
the west porch is a fine bas-relief of St George engaged in combat with
the dragon. The church has a nave and two aisles formed by two rows of
five piers. There are three chapels at one end, each with its own altar,
and an upper story or loft over each aisle. The church is unusual in
being situated in a courtyard with two other monolithic structures. The
church’s interior is richly painted, with remarkable frescoes. The
capitals, the soffits of some semi-circular arches, and some of the
piers are beautifully carved in low relief, with such ornament as
foliage, birds and animals, and the two-headed eagle.
Giyorgis
Very different again is the Church of Giyorgis, or St George, which
stands somewhat apart from the two main groups of churches. One of the
most elegant of the Lalibala structures it is excavated in the form of a
Greek cross. It too imitates Aksumite architecture, as evident from its
representation of horizontal wooden beams and stonework, its doors and
windows, which are reminiscent of the obelisks, and its numerous `monkey
heads’.
The seven other Lalibala churches, each of which is well executed,
but of entirely different design, comprise Golgotha (in which Emperor
Lalibala is supposedly buried), Mika’el, Masqal, Denagel, Marqorwos,
Libanos, and Gabr’el.
Pilgrimage
Lalibala established this remarkable group of churches, it is
believed, in order to make them, and hence his capital, a major place of
pilgrimage. Support for this view is found in the Gadla Lalibala, or
Acts of Lalibala, which claims that a visit to the churches was
equivalent to seeing the face of Christ. In establishing his capital as a
place of pilgrimage Lalibala may have been influenced by the fact that
Jerusalem, hitherto the country’s principal pilgrimage site, had been
captured by the Muslims, and was therefore difficult of access. He may
also have felt that Jerusalem was too far from Lasta and its environs,
which were of course much further inland than Aksum.
Be that as it may, there seems to have a deliberate attempt at
Lalibala to simulate the Holy City. A number of places in and around the
Lasta capital were thus given Biblical names. A local hill was called
Calvary and a stream Jordanos, after the Jordan river, while several
graves were referred to as those of Adam, Christ, and other Biblical
personages.
Lalibala’s efforts to make his capital a pilgrimage centre were
remarkably successful. Over the centuries innumerable pilgrims from far
and near made their way to the city, and on religious festivals
congregated around its remarkable churches, as they do to this day.
The Decline of the Zagwe Dynasty
Lalibala, generally regarded as the greatest of the Zagwe rulers, was
succeeded by his nephew Na’akuto La’ab, who built a beautiful church in
a cave half a day’s journey from Lalibala, for which he too was
canonised. His reign was, however, reportedly fraught with difficulties,
as a result of which he abdicated, or was deposed, in favour of
Lalibala’s son Yetbaraq.
Difficulties within the ruling family appear to have coincided with
increasing regional opposition to Zagwe rule. This appears to have
centred mainly in Tegray, Amhara and Shawa, and to some extent in the
south-westerly province of Damot. Opposition also came from prominent
churchmen, several apparently related to one of the Zagwe’s principal
opponents, the Shawan prince Yekuno Amlak. Church opponents included
Abba Iyasus Mo’a, abbot of the monastery of Dabra Hayq, and Abba Takla
Haymanot, abbot of Dabra Libanos.
Such combined opposition proved decisive. It led, around 1270, to the
overthrow of the Zagwe dynasty, and resulted in another major shift in
the centre of political power, this time to Shawa, where Yekuno Amlak
established himself on the throne. He thereby established a new dynasty,
which was to dominate Ethiopia for over half a millennium.
Source: http://www.linkethiopia.org
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